Review of Erick Lyle’s new book Streetopia, full of essays and full color photos from a May 2012 art show of the same name, a kind of anti-Art Basel, about the history and future of Bay Area utopianism.
The urbanization of capital is such a gigantic enemy that well-meaning politicians and radical visionaries like Lyle are practically reduced to the same slingshot-wielding rank. Tech and real estate have been given free reign to radically remap society, economy, and territory. Dissidents of gentrification will have to do the same without the venture capital resources, so Lyle finds some comfort in preferring a utopianism consistent with the spontaneous and fleeting historical moments of rebellion like the White Night riots In 1979, and the Kronstadt rebellion. The latter was depicted in the 2009 film Maggots and Men, shown and discussed at Streetopia. The insurrectionary sailors were played by a queer and trans cast, partially a criticism of the radicalism of the White Night rioters’ slide into liberal gay politics and middle-class identity. It is not enough, radicals argue, to merely protest the injustices of heteronormative violence, bad court rulings, and shady landlords. We need to reorganize ourselves socially and theoretically, producing art and revolution simultaneously, never content with just one or the other.
Read the rest at the New Inquiry