A timeline and analysis of the @antiPCNYUProf affair, why (usually white male) leftists defect right, and what it says about the left.
Rectenwald recently called his followers, which include self-described White Nationalists, his “Twitter family,” while at NYU he felt like he was “being exiled.” Like many other defectors, he belongs to a movement that seeks to be for white men, in an ironic turn of which they are fully conscious, a safe space. For these defectors, perhaps hurt feelings and defensiveness could be said to have hijacked values and political convictions; the way this community made them feel about themselves became more important than what it stood for. Once they became embedded, stated convictions ceased to matter.
Nietzsche’s iconoclasm was central to the account. Perhaps, like Nietzsche’s Zarathustra, Rectenwald needed to create a character, speaking in vicious aphorisms, to transcend academic criticism and the echo-chamber of his milieu, taking struggle against both the identitarian rabble of campus politics and its cynical cooptation by Clintonian Democrats. For all his bluster, it’s worth remembering that Nietzsche referred to his bad faith followers in Genealogy of Morals sarcastically as “free thinkers,” who “hate the Church but love its poison.”
Read the rest of “The Learning Annex” at Real Life Magazine
A look at Peter Thiel’s futurism through the failures of Bolshevism and the populist trope of the vampire in December’s Science/Fiction issue of the The New Inquiry:
Some of our futures are crappy reboots. After all, when considered in a historical light, Peter Thiel–with his vampiric investment in harvesting young blood and intergalactic ambitions–is less a figure of the future than he is a reboot of a failed Bolshevik past. Many of his aspirations, argues A. M. Gittlitz, were first disastrously attempted by early twentieth-century utopian socialists and writers who self-identified as God-Builders, Biocosmist-Immortalists and other retrospective losers.
Full article for free here, and the full issue is just $3. Support TNI!
Brief write-up of first (hopefully) annual Post-Punk festival happening this weekend in East Williamsburg:
While medical professionals agree there ain’t no cure for the summertime blues, those seeking group therapy-like commiseration can check out the Nowhere to Run Festival this weekend at East Williamsburg venue The Paper Box.
Featuring two stages and about 20 bands and DJs from the plurality of the dark styles huddled under the post-punk umbrella, the festival is appropriately located at The Paper Box on Meadow Street in the East Williamsburg Industrial Park, an area that resembles the post-industrial, shuttered, and factory-lined streets of Thatcher-era Glasgow where the genre originated.
Read the rest at Bushwick Daily
Brief write-up on a NYC Anarchist Black Cross-hosted event about Green Scare prisoner Eric McDavid:
In 2005, McDavid was convinced by an agent to purchase materials to make an incendiary device, allegedly for a plan to target cell phone towers. After serving approximately 9 years of a 20 year sentence, it was discovered the government withheld thousands of pages of evidence on the case, and McDavid, who maintains he was entrapped, was released.
Counterterrorism tactics are an issue on everyone’s mind these days, as recent episodes of American gun violence and other tragedies in the United States and abroad propel heated debates about the extent of the American government’s responsibilities to its citizens in terms of both freedom and security. The ongoing use of entrapment techniques to manufacture threats, in the case of McDavid and many others, achieves neither.
Read the rest at Bushwick Daily
Nearly a year in the making, my fanzine about the “Yugoslavia’s GG Allin,” Satan Panonski. A legend in his own time this queer, utopian, internationalist punk spent 9 years in a mental hospital for murder before releasing two albums in two years, and joining a Croatian militia to fight in the Yugoslav wars, in which he was killed. His tragic story is, to me, allegorical to the fall of 20th century socialism and punk. The biography is accompanied by poetry translated by Nikolina Lazetic and an essay about the politics of early Yugoslav punk by Patrick Offenheiser.
If you’re in New York, pick up your copy at BookThugNation, Human Relations Desert Island Topos Bookstore Cafe,Better Read Than Dead, and Bluestockings Bookstore, Café, & Activist Center (soon). Or email at email@example.com for mail orders. Only $4 postage paid.
Full text, a newly translated documentary, and more also available online at satanpanonski.wordpress.com.
A feature on the sketch group Asperger’s Are Us in this week’s Philadelphia Weekly:
The concept of “aspie humor” was actually discovered in the 1940’s by pediatrician Hans Asperger himself. In his paper, “Autistic Psychopathy in Childhood,” he argued that while autistic people “do not understand jokes….” (especially when the joke is “on them”). This can lead neurotypicals to wonder whether the subjects are humorless or just repulsed by verbal cruelty. Far from humorless argues Asperger that, due to their literal-mindedness, “when making puns… autistic people sometimes shine… this can range from simple wordplay and sound associations to precisely formulated, truly witty remarks.”
“The main thing uniting most Aspies’ sense of humor is our wordplay,” the group says, “Because we’re not that interested in silent plays.” Perhaps in the jovial atmosphere of 1940’s Austria this sort of humor may have been considered hack, but in an era when irony and paraprosdokians (look it up!) are all the rage, autistic humor may at last have its chance “to shine.”
More at PhillyWeekly.com